divisare

  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510
  • DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510

DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510

PHOTO ESSAY BY NICOLÒ GALEAZZI

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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GIUSEPPE GAMBIRASIO, BRUNO MINARDI  INTERVIEW WITH GIOVANNI MUZIO
CHRIST & GANTENBEIN KUNSTMUSEUM BASEL 2016  PHOTO ESSAY BY RORY GARDINER
DARIO PASSI  LANEROSSI AREA  SCHIO 1980
ADOLF LOOS  ARCHITECTURE
BUCHNER BRÜNDLER ARCHITEKTEN MÜNCHENSTEIN HOUSE 2016  PHOTO ESSAY BY RORY GARDINER
2001. FANY. DUDELANGE PHOTO ESSAY BY MAXIME DELVAUX
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